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Dancing Dialogues
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Περιγραφή
Μετά από επτά χρόνια, που αντιστοιχούν σε επτά επιτυχημένα ηλεκτρονικά τεύχη του περιοδικού Choros International Dance Journal, δημιουργήθηκε μια πολύ εποικοδομητική συνεργασία και διάλογος μεταξύ των Ελλήνων και των διεθνών ερευνητών χορού (μέλη της συντακτικής επιτροπής, κριτές που έκαναν την επιστημονική κρίση των άρθρων και συμμετέχοντες). Σε αυτό το πλαίσιο καταλήξαμε στην ιδέα της δημοσίευσης μιας Ανθολογίας, σε δύο τόμους, το 2019 και το 2020 με βάση μια σειρά επιλεγμένων άρθρων από τα επτά τεύχη του περιοδικού Choros International Dance Journal, με τίτλο Dancing Dialogues. Πράγματι, πιστεύουμε ότι αυτές οι εκδόσεις μπορεί να συμβάλουν στην προώθηση του χορού τόσο σε ακαδημαϊκούς όσο και σε κοινωνικοπολιτιστικούς όρους.
After seven years, corresponding to seven successful electronic issues of Choros International Dance Journal a very fruitful collaboration and dialogue sprung between Greek and international dance scholars (editorial board members, reviewers and contributors). It is in this context that we came up with the idea of publishing an Anthology, in two volumes, in 2019 and in 2020 based on a selection of articles from the 7 issues of Choros International Dance Journal, entitled Dancing Dialogues. Indeed, we believe that these publications can contribute to advancing Dance in both academic and socio-cultural terms.
Volume I: SECTION 1, On Theory and History (1.1. Moving in Concert MAXINE SHEETS-JOHNSTONE. 1.2. Odysseus Weeping RAMSAY BURT. 1.3. In Remembrance of Dance Lost GRAHAM McFEE. 1.4. On (Not-) Becoming Repertoire, Re-doing Appropriation in Contemporary Choreography EFROSINI PROTOPAPA. 1.5. Eva Palmer-Sikelianos Dances Aeschylus: The Politics of Historical Reenactment when Staging the Rites of the Past SAMUEL N. DORF. 1.6. Appropriations of Hellenism: A Reconsideration of Early Twentieth-Century American Physical Culture Practices NATALIE ZERVOU. 1.7. The Founding of American Ballet Theatre on the Eve of War, 1939–1944: Depression, Modernity and the Holocaust NINOTCHKA D. BENNAHUM) . SECTION 2, Modes of Research in Dance (2.1. On the Methodology of Practice as Research ROBIN NELSON. 2.2. Explaining a Dream: Writing the Simultaneity of Performance (Practice based Research) KAREN CHRISTOPHER. 2.3. Towards a Methodology for Studying Greek Dance STERIANI TSINTZILONI. 2.4. Demolition: A Destabilizing Force for Transgressing Artistic Disciplines ARIADNE MIKOU. 2.5. Fictional Screendance Typology DIONYSIOS TSAFTARIDIS).
After seven years, corresponding to seven successful electronic issues of Choros International Dance Journal a very fruitful collaboration and dialogue sprung between Greek and international dance scholars (editorial board members, reviewers and contributors). It is in this context that we came up with the idea of publishing an Anthology, in two volumes, in 2019 and in 2020 based on a selection of articles from the 7 issues of Choros International Dance Journal, entitled Dancing Dialogues. Indeed, we believe that these publications can contribute to advancing Dance in both academic and socio-cultural terms.
Volume I: SECTION 1, On Theory and History (1.1. Moving in Concert MAXINE SHEETS-JOHNSTONE. 1.2. Odysseus Weeping RAMSAY BURT. 1.3. In Remembrance of Dance Lost GRAHAM McFEE. 1.4. On (Not-) Becoming Repertoire, Re-doing Appropriation in Contemporary Choreography EFROSINI PROTOPAPA. 1.5. Eva Palmer-Sikelianos Dances Aeschylus: The Politics of Historical Reenactment when Staging the Rites of the Past SAMUEL N. DORF. 1.6. Appropriations of Hellenism: A Reconsideration of Early Twentieth-Century American Physical Culture Practices NATALIE ZERVOU. 1.7. The Founding of American Ballet Theatre on the Eve of War, 1939–1944: Depression, Modernity and the Holocaust NINOTCHKA D. BENNAHUM) . SECTION 2, Modes of Research in Dance (2.1. On the Methodology of Practice as Research ROBIN NELSON. 2.2. Explaining a Dream: Writing the Simultaneity of Performance (Practice based Research) KAREN CHRISTOPHER. 2.3. Towards a Methodology for Studying Greek Dance STERIANI TSINTZILONI. 2.4. Demolition: A Destabilizing Force for Transgressing Artistic Disciplines ARIADNE MIKOU. 2.5. Fictional Screendance Typology DIONYSIOS TSAFTARIDIS).
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